CINE 212 · also ENGLISH 288, VMS 355
American Dreams, American Movies
Marianna Torgovnick
Description from DukeHub
A course in selected American films that create as well as reflect American identity from the beginnings of Hollywood moviemaking in the Studio System through the beginnings of Indie spirit. Nine to twelve best-loved movies, such as Mr. Smith Goes to Washington, Casablanca, Rear Window, Singin' in the Rain, and Dr. Strangelove by directors like Frank Capra, John Ford, Alfred Hitchcock, and Stanley Kubrick. The course pays attention to American cultural history, the development of the movie industry, the idea of the director as auteur, narrative form in film, and some fundamentals of film analysis. Assignments are both written and creative experiments in filmmaking, as suits class interests.
Skills
- makingdescription: "studio" and 1 more
AI-resilient: 2 of 5
- Yes: Physical, lab or field work · "studio"
- No: Live work with people
- No: Judgment someone is accountable for
- Yes: A craft you practice with your hands or body · "studio"
- No: Small, in-person format
The checks lean on Microsoft Research, Working with AI (2025), which found generative AI applies least to physical work and hands-on work with people. A signal, not a promise. How the score works
More in CINE
- Cinema and Memory CINE 122CNS
- Cinema Perspectives on Artificial Intelligence CINE 123CNL
- Moving Image Practice CINE 151S
- Crew-Based Film Production CINE 152S
- Love and Heartbreak CINE 190S-01
- Film Theory CINE 203S