AAAS 258 · also MUSIC 241
Studio Pop: Histories & Sounds, 1960s to 80s
Philip Rupprecht
Description from DukeHub
Pop-music styles as the work of studio production techniques, post-1960s. We explore four influential artists--The Beach Boys ('Pet Sounds' 1966, and later albums); Stevie Wonder ('Music of My Mind' 1971 to 'Songs in the Key of Life' 1976); Steely Dan (albums released 1972-79) and Prince (albums 1977 to 1987). Topics include: history of studio production, multi-track tape innovations, orchestrations, backing vocals, sonic balance, space; synthesizer technology; drum-machine grooves, Close reading of songs, producers, studio styles, press/fan reception. Analysis of music in acoustic, narrative, poetic or structural terms through close listening. Readings from critical literature.
Skills
AI-resilient: 3 of 5
- Yes: Physical, lab or field work · "studio"
- No: Live work with people
- No: Judgment someone is accountable for
- Yes: A craft you practice with your hands or body · "studio"
- Yes: Small, in-person format · title: "studio"
The checks lean on Microsoft Research, Working with AI (2025), which found generative AI applies least to physical work and hands-on work with people. A signal, not a promise. How the score works
More in AAAS
- Introduction to African Studies (DS3 or DS4) AAAS 103
- Embodied Blackness AAAS 110S
- Djembe Class AAAS 111
- Motown and American Soul Music AAAS 146
- Race, Slavery, and the History of Social Control AAAS 186CNS
- Manifesto! AAAS 190S-01